{"id":3411,"date":"2026-05-21T13:42:09","date_gmt":"2026-05-21T12:42:09","guid":{"rendered":"https:\/\/birmingham-trend.com\/?p=3411"},"modified":"2026-05-21T13:42:11","modified_gmt":"2026-05-21T12:42:11","slug":"birmingham-ballet-and-opera-art-without-pretence","status":"publish","type":"post","link":"https:\/\/birmingham-trend.com\/en\/eternal-3411-birmingham-ballet-and-opera-art-without-pretence","title":{"rendered":"Birmingham Ballet and Opera: art without pretence"},"content":{"rendered":"\n<p>In the classic Eastern European sense, \u2018academic theatre, opera, and ballet\u2019 effectively do not exist in Birmingham. &nbsp;And this is somewhat surprising, as the city is so large and ambitious that it should long since have built one with columns, velvet armchairs, stern old ladies at the cloakroom, and ardent admirers of Modest Mussorgsky. But Birmingham rarely follows the classical path anyway.<\/p>\n\n\n\n<p>Here, it was decided\u2014and this is common practice in England\u2014that ballet is one thing, <a href=\"https:\/\/montreal-trend.com\/uk\/eternal-1896-monrealska-franczuzka-opera-istoriya-stvorennya-iz-sumnym-zakinchennyam\" target=\"_blank\" rel=\"noopener\">opera<\/a> another, and the building where they perform is a matter entirely of its own. &nbsp;Thus, the world-famous Birmingham Royal Ballet and its permanent home\u2014the Birmingham Hippodrome\u2014came to be in the city.<\/p>\n\n\n\n<p>An even more interesting twist has emerged with opera. Instead of waiting for visiting touring companies, the local Birmingham Opera Company decided: if there is no traditional opera house, then the whole city will become the opera house. So don\u2019t be surprised if, in Birmingham, you find yourself listening to Verdi or Wagner not in a velvet-upholstered auditorium but in a derelict factory, a shopping center, or a railway station. You can read more about this unusual theatrical history at <a href=\"http:\/\/birmingham-trend.com\">birmingham-trend.com<\/a>.&nbsp;<\/p>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_74 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<label for=\"ez-toc-cssicon-toggle-item-6a133b6e95e90\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a133b6e95e90\"  aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/birmingham-trend.com\/en\/eternal-3411-birmingham-ballet-and-opera-art-without-pretence\/#It_used_to_be_a_London_ballet_company_but_it_has_become_a_Birmingham_one\" >It used to be a London ballet company, but it has become a Birmingham one<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/birmingham-trend.com\/en\/eternal-3411-birmingham-ballet-and-opera-art-without-pretence\/#Birmingham_Hippodrome%E2%80%94everyone_is_performing\" >Birmingham Hippodrome\u2014everyone is performing!<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/birmingham-trend.com\/en\/eternal-3411-birmingham-ballet-and-opera-art-without-pretence\/#Birmingham_Opera_when_Verdi_is_sung_in_a_warehouse\" >Birmingham Opera: when Verdi is sung in a warehouse<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/birmingham-trend.com\/en\/eternal-3411-birmingham-ballet-and-opera-art-without-pretence\/#Birmingham_Opera_and_Ballet%E2%80%94art_with_character\" >Birmingham Opera and Ballet\u2014art with character<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"It_used_to_be_a_London_ballet_company_but_it_has_become_a_Birmingham_one\"><\/span>It used to be a London ballet company, but it has become a Birmingham one<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1460\" src=\"https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-30.jpeg\" alt=\"\" class=\"wp-image-3415\" srcset=\"https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-30.jpeg 2048w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-30-300x214.jpeg 300w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-30-768x548.jpeg 768w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-30-1536x1095.jpeg 1536w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-30-696x496.jpeg 696w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-30-1068x761.jpeg 1068w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-30-100x70.jpeg 100w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<p>It is said that, at the time, the arrival of its own Royal Ballet came as something of a shock to Birmingham. Until 1990, the Birmingham Royal Ballet was based in London and was considered a typical capital city institution\u2014with grand stages, an academic audience, and the traditional British love of \u2018<a href=\"https:\/\/montrealski.net\/uk\/eternal-1992-doskonalist-i-spilna-kulturna-spadshhyna-vnesok-horystiv-u-festyval-imeni-baha\" target=\"_blank\" rel=\"noopener\">high art<\/a>.\u2019<\/p>\n\n\n\n<p>But eventually it was decided to move the company to Birmingham, and at the time this decision seemed to many little short of a cultural gamble\u2014why would a harsh industrial city need pointe shoes and tutus? However, the experiment worked so well that the Birmingham Royal Ballet has long since become one of the most famous ballet companies in Great Britain.<\/p>\n\n\n\n<p>A city that for decades was associated solely with steelworks, factories, and the TV series *Peaky Blinders* has ultimately become one of the symbols of British classical dance. Today, the Birmingham company regularly attracts global attention, and one particular, truly extraordinary individual is \u2018to blame\u2019 for this. The company\u2019s artistic director is the legendary Carlos Acosta\u2014a global ballet superstar.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1403\" src=\"https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-31.jpeg\" alt=\"\" class=\"wp-image-3418\" srcset=\"https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-31.jpeg 2048w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-31-300x206.jpeg 300w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-31-768x526.jpeg 768w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-31-1536x1052.jpeg 1536w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-31-696x477.jpeg 696w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-31-1068x732.jpeg 1068w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-31-100x70.jpeg 100w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<p>Rather than simply dusting off old classics, Acosta has sparked a veritable cultural revolution in the city. It was under his leadership that one of the most talked-about contemporary productions\u2014Black Sabbath\u2014The Ballet\u2014was born. Yes, they staged a full-scale ballet set to the heavy riffs of the iconic Birmingham heavy metal band, playing to packed houses.<\/p>\n\n\n\n<p>Whenever Akosti feels like a classic, he stages his signature, expressive version of *Don Quixote*. With these productions, the Birmingham dancers are not staying at home but regularly perform on international stages (from the US to Japan), receiving standing ovations at London\u2019s Royal Opera House.<\/p>\n\n\n\n<p>And the whole story is set at the Birmingham Hippodrome\u2014a theater once associated more with light-hearted variety shows and musicals but which has now become the home of a world-class ballet punk revolution.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Birmingham_Hippodrome%E2%80%94everyone_is_performing\"><\/span>Birmingham Hippodrome\u2014everyone is performing!<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1653\" height=\"2048\" src=\"https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-32.jpeg\" alt=\"\" class=\"wp-image-3421\" srcset=\"https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-32.jpeg 1653w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-32-242x300.jpeg 242w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-32-768x952.jpeg 768w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-32-1240x1536.jpeg 1240w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-32-696x862.jpeg 696w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-32-1068x1323.jpeg 1068w\" sizes=\"auto, (max-width: 1653px) 100vw, 1653px\" \/><\/figure>\n\n\n\n<p>So, the Birmingham Hippodrome\u2014judging by the venue\u2019s name, it was never meant to be about ballet but rather about horses racing against one another. And, most interestingly, the history of this place does nothing to contradict that impression. For the Hippodrome, built in 1899, began precisely as a space for spectacles\u2014loud, mass-scale, and absolutely not ballet-related. Even live elephants performed here, and the stage was flooded with water when needed for sea-themed shows.<\/p>\n\n\n\n<p>Birmingham has never been one for the culture of \u2018quiet whispers in the boxes.\u2019 Here, they\u2019ve always been convinced that the roar of emotion should be heard several blocks away. Although, over time, the building has, of course, evolved, having undergone several major facelifts. The first major refurbishment took place in the 1980s, when the stage was finally enlarged so that the ballet company could dance without risk.<\/p>\n\n\n\n<p>Then, at the turn of the millennium, between 1999 and 2001, the theatre closed for a major refurbishment costing \u00a335 million. By then, not a trace remained of the old circus aesthetic: the Hippodrome was given an ultra-modern glass fa\u00e7ade, new rehearsal rooms, and state-of-the-art acoustics. Everything was brought into line with the strict rules of \u2018high\u2019 art. Yet a sense of a certain theatrical versatility never quite disappeared, even after all the renovations.<\/p>\n\n\n\n<p>Nowadays, the Birmingham Hippodrome is not an exclusive, members-only club but the city\u2019s main cultural hub. Here, high-profile Broadway musicals, large-scale touring operas, exquisite world-class ballet, and an audience that has come \u2018simply to see something beautiful after a hard day\u2019s work\u2019 coexist in a remarkable way. And there is a particular honesty in this: no one pretends that this is a sanctuary of the muses.<\/p>\n\n\n\n<p>It is a finely tuned, powerful machine that generates raw emotion without any fuss or pretence. And that is probably why the Royal Ballet has settled in so naturally here. Because the Hippodrome doesn\u2019t try to appear as anything other than what it is\u2014it simply functions as a stage, ready to welcome everyone, from a folk Christmas show with popcorn to a rigorous academic ballet. The latter, incidentally, sometimes seems like a rather unexpected, yet very refined, guest in the city.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Birmingham_Opera_when_Verdi_is_sung_in_a_warehouse\"><\/span>Birmingham Opera: when Verdi is sung in a warehouse<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1276\" src=\"https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-33.jpeg\" alt=\"\" class=\"wp-image-3424\" srcset=\"https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-33.jpeg 2048w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-33-300x187.jpeg 300w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-33-768x479.jpeg 768w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-33-1536x957.jpeg 1536w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-33-696x434.jpeg 696w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-33-1068x665.jpeg 1068w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<p>Birmingham\u2019s local opera scene bears no resemblance whatsoever to that \u2018proper\u2019 European model, where opera is all about marble, crystal, expensive perfume, and the persistent feeling that you\u2019re not welcome here without a bow tie. Here, everything is far less formal and considerably more\u2026 hands-on. We\u2019re talking about the Birmingham Opera Company\u2014a troupe that has long and resolutely refused to conform to the traditional notions of high art.<\/p>\n\n\n\n<p>The main irony is that this company is known throughout the world not for its \u2018home stage,\u2019 but precisely for its complete absence. &nbsp;They are not tied to any particular venue, do not sit beneath gilded chandeliers, and generally behave as if the opera house were some sort of anachronism.<\/p>\n\n\n\n<p>So, instead of traditional auditoriums, audiences are taken to derelict factories, former aircraft hangars, drab industrial warehouses in the Digbeth industrial estate, and other austere venues where you\u2019d normally expect to see a rap battle or an illegal rave. But certainly not arias by Verdi or Mozart.<\/p>\n\n\n\n<p>All in all, their productions strike one as a veritable cultural paradox. World-class opera stars perform here side by side with ordinary Birmingham residents, whom the company regularly recruits as extras and choir members straight off the street. But this \u2018non-academic\u2019 approach does not prevent the company from winning the world\u2019s top opera awards. Despite its \u2018underground\u2019 approach, the company is the winner of the prestigious International Opera Awards. In other words, it is precisely this punk approach that has made them superstars.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Birmingham_Opera_and_Ballet%E2%80%94art_with_character\"><\/span>Birmingham Opera and Ballet\u2014art with character<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1218\" src=\"https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-34.jpeg\" alt=\"\" class=\"wp-image-3427\" srcset=\"https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-34.jpeg 2048w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-34-300x178.jpeg 300w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-34-768x457.jpeg 768w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-34-1536x914.jpeg 1536w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-34-696x414.jpeg 696w, https:\/\/cdn.birmingham-trend.com\/wp-content\/uploads\/sites\/58\/2026\/05\/image-34-1068x635.jpeg 1068w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<p>Despite its unconventional, almost \u2018non-academic\u2019 path, ballet and opera in Birmingham have managed to establish their own standing and reputation. There was no classical opera house with historic traditions beneath marble ceilings, but that did not prevent the city from creating a world-class stage.<\/p>\n\n\n\n<p>The Birmingham Royal Ballet, the Birmingham Hippodrome, and the Birmingham Opera Company have proven that art can be born not only in the palaces of the capital but also in an industrial city with character. Today, they are recognised not only by local audiences and connoisseurs with a refined sensibility, but also worldwide\u2014as an example of how an unconventional path sometimes leads to the most successful outcome.<\/p>\n\n\n\n<p>Sources:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.birminghamopera.org.uk\/our-house\" target=\"_blank\" rel=\"noopener\">https:\/\/www.birminghamopera.org.uk\/our-house<\/a>\u00a0<\/li>\n\n\n\n<li><a href=\"https:\/\/www.brb.org.uk\/stories\/birmingham-royal-ballet-and-national-ballet-of-canada-strengthen-international-relationship-with-don-quixote\" target=\"_blank\" rel=\"noopener\">https:\/\/www.brb.org.uk\/stories\/birmingham-royal-ballet-and-national-ballet-of-canada-strengthen-international-relationship-with-don-quixote<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.carlosacosta.com\/birmingham-royal-ballet\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.carlosacosta.com\/birmingham-royal-ballet\/<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.birminghamhippodrome.com\/about-us\/who-we-work-with\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.birminghamhippodrome.com\/about-us\/who-we-work-with\/<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/spectator.com\/article\/ecstasy-from-birmingham-opera-company-wagners-rhinegold-reviewed\/\" target=\"_blank\" rel=\"noopener\">https:\/\/spectator.com\/article\/ecstasy-from-birmingham-opera-company-wagners-rhinegold-reviewed\/<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>In the classic Eastern European sense, \u2018academic theatre, opera, and ballet\u2019 effectively do not exist in Birmingham. &nbsp;And this is somewhat surprising, as the city is so large and ambitious that it should long since have built one with columns, velvet armchairs, stern old ladies at the cloakroom, and ardent admirers of Modest Mussorgsky. But [&hellip;]<\/p>\n","protected":false},"author":306,"featured_media":3412,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[155],"tags":[1999,1488,1995,1694,1997,1994,1993,1992,2001,1996,1941,2000,2003,1486,2002,1998],"motype":[160],"moformat":[24],"moimportance":[32,35],"class_list":{"0":"post-3411","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-muzika","8":"tag-art-of-birmingham","9":"tag-birmingham","10":"tag-birmingham-ballet","11":"tag-birmingham-hippodrome-2","12":"tag-birmingham-opera","13":"tag-birmingham-opera-company","14":"tag-birmingham-royal-ballet","15":"tag-birmingham-theatre","16":"tag-black-sabbath-the-ballet","17":"tag-british-ballet","18":"tag-british-culture","19":"tag-british-opera","20":"tag-carlos-acosta","21":"tag-history-of-birmingham","22":"tag-theatre-culture-of-england","23":"tag-theatres-of-england","24":"motype-eternal","25":"moformat-longrid-korotka","26":"moimportance-golovna-novyna","27":"moimportance-retranslyacziya-v-agregatory"},"_links":{"self":[{"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/posts\/3411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/users\/306"}],"replies":[{"embeddable":true,"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/comments?post=3411"}],"version-history":[{"count":1,"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/posts\/3411\/revisions"}],"predecessor-version":[{"id":3430,"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/posts\/3411\/revisions\/3430"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/media\/3412"}],"wp:attachment":[{"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/media?parent=3411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/categories?post=3411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/tags?post=3411"},{"taxonomy":"motype","embeddable":true,"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/motype?post=3411"},{"taxonomy":"moformat","embeddable":true,"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/moformat?post=3411"},{"taxonomy":"moimportance","embeddable":true,"href":"https:\/\/birmingham-trend.com\/en\/wp-json\/wp\/v2\/moimportance?post=3411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}